MEET THE ARTIST
I am a multidisciplinary artist working across ceramics and sculpture, alongside painting and mixed media. My practice centers on porcelain and stoneware, materials through which I explore form, fragility, and transformation.
I am particularly drawn to porcelain for its refined, delicate, and semi-translucent qualities, which allow for a nuanced expression of thought. Working primarily without molds, I embrace a direct and tactile process in which the traces of my hands remain visible—each mark becoming part of the work’s narrative.
My artistic practice is deeply informed by philosophy, aesthetics, and the ontology of art. Research and reflection are essential to my process, as I believe that artistic creation cannot be separated from thought. Each work emerges from a conceptual framework, carrying both an idea and a story.
At the core of my practice lies the notion of encounter. For me, creation begins with a moment of contact—between the self and the material, the known and the unknown. This encounter is not static; it is transformative. Each interaction alters both the maker and the made, dissolving the boundaries between subject and object.
In the act of making, clay becomes more than a material. Through processes such as high firing, it transforms into a witness of time, resistance, and patience. The hand becomes an extension of thought, and form emerges as the embodiment of an inner reality. Each sculpture carries the tension between fragility and strength, silence and resonance, interior and exterior worlds.
My collections unfold through different narratives that converge around a central theme: the human condition. From spirituality and material existence to cultural memory and sensory experience, each body of work explores a distinct yet interconnected dimension of being.
Ultimately, my work seeks to create a space of encounter—not only between artist and material, but also between the artwork and the viewer. Each gaze reactivates this relationship. The viewer does not simply observe, but becomes part of the work’s unfolding meaning.
In this sense, art is not a fixed representation, but a site of becoming—where meaning remains fluid, shaped through each new encounter.
